Work in the studio has been completely focused on the Hebridian lymphad. I don't know why stylized designs end up being so challenging. Perhaps because they rely entirely on the purity of line, something quite hard to maintain with the copper moving all over the place! Elements like the robust hull, and the "straps" that wrap around it, as well as spun copper ball pierced by the arrow, forged brass, and the date in the tail...these are not easy to create. The high heat of the oxy-acetylene seems to "hot box" the brass and exhaust the more delicate copper detail, so warpage becomes a major issue. It is a lovely "fat" weathervane to behold though...so it's all worth it in the end.
I'll post a picture of the weathervane again once it's gilded, but the best I can do now is a silhouette, as our November weather has deteriorated in to dark, wet days:
And for those of you that may have driven by the house and stared in horror at the "bomb site" that is Woodfield Farm, lots has been going on. The scaffolding is still up, but the paint job is finally done (using eco paints). The new orchard isn't planted yet, but the chestnut tree surrounds are in.
However, by far the biggest shock is the removal of the leylandii hedge. Not only is it strange to see all the way down to the road from our kitchen window, but the green grass of the farmer's field is in shreds with all the work. The uninterrupted space is all a bit overwhelming! At least the machinery is marvellous to look at.